X24

Founded 2019 · Rotterdam and Leeds

Two rooms,
one cutting lathe
we don’t own.

X24 is run by two people between Rotterdam and Leeds, in the evenings, around other work. 11 catalogue numbers, no employees, and a standing arrangement with a plant that lets us press in runs small enough to be a bad idea.

How it got here

2019

A rejected lacquer

The label starts with X24-001, which is cut twice, rejected twice, and never pressed. It stays in the catalogue as a digital release because deleting it felt like cheating.

2020

The one-take rule

Nadja Holm signs on the condition that nothing is re-recorded. The rule outlasts the record and now applies to everything the label puts out.

2021

The Kettle Factory

Kettleworks test a mastering room in a disused kettle works in Hunslet, Leeds. The test becomes X24-003, and every release since has been mastered there.

2023

Acetate first

Oyinda Marsh arrives from sound-system culture with a habit of cutting arrangements to acetate before mixing them. The label adopts it as a third rule.

2026

Eleven numbers deep

X24-011 goes to pre-order, 6 artists are on the books, and the label still does not have a paid employee.

  • Short runs
  • No repress
  • One take
  • Cut before it is finished
  • Mastered in Hunslet

Who makes the records

Almost none of this happens in-house. These are the people the label depends on, credited on every sleeve.

Mastering
Kettleworks, the Kettle Factory, Hunslet, Leeds
Lacquers
R. Vermeulen, Rotterdam
Dub-plates
J. Antwi, South London
Tape masters
A. Kovač, Ljubljana
Sleeves
Studio Halfhour, Rotterdam
Distribution
Direct, plus Bandcamp and a handful of shops

Press & licensing

Assets, high-resolution sleeves and pressing details on request.

post@x24records.com

Shops & distribution

We sell direct and to a small number of shops. Wholesale terms are the same for everybody.

post@x24records.com

Demos

Open, read by two people, roughly six weeks behind. Unlisted links only.

Submission form